You Could Be Part of the Crew - Femi Ladi directs new LSA film

The Visionaries director Femi Ladi teamed up with the London Screen Academy and Working Title for a brand new film showcasing the London Screen Academy’s courses for prospective students. The film showcases the different roles on offer at the academy while championing the schools ethos of supporting diversity and providing support for all students.

“I was excited to be part of this project for the LSA and Working Title for the second time. The ethos of the school is something I really believe in as it's tackling a real problem of representation and diversity in our industry by providing a solution at a grassroots level. It was a fun collaborative spot, everyone featured in the film are LSA students and they all got to shadow each department in making the film. One of the students wrote the short film that we used as the base of the spot and everything was shot on location on the school campus. These students are the filmmakers of the future and we wanted to show prospective students that this could be them, whilst highlighting the different roles within filmmaking. Special thanks to David Jonsson and Aoife Hinds, two incredible talents who gave their time to support the school.” - Director, Femi Ladi 

 

Client: LSA & Working Title Films

Co-Chairman: Eric Fellner

Co-Chairman: Tim Bevan

Production Executive: Angie Monkeke 

Production Company: Stink 

Exec Producer: Hannah Bellil

Executive Producer: Vicki Banwell

Director: Femi Ladi

Directors Agent: The Visionaries

Producer: Shea Coleman 

DOP: Joe Douglas

Production Designer: Oliver Hogan 

Edit: Pete Fullarton

Grade: Goldcrest

Sound Design: Sound24 

 





Luc Reso Janin directs ‘More Like Mo’ for new OPPO TVC



Director Luc Reso Janin teamed up with VCCP who enlisted football superstar Mo Salah as the face of OPPO’s flashy new commercial promoting the Reno4 5g Pro smartphone. The new TVC is a fast paced, visual neon delight with the slogan “More like Mo”, showcasing the brand’s speed and connection to the modern day, digital world. 

 

Luc Reso Janin had this to say about working on the campaign - “My goal for this project was to layer a striking visual approach with moments of authentic immediacy with Mo Salah. We wanted the performance to feel genuine and real, but within a world of screens and lights that isn’t real at all. I wanted the film to be a vibrant festival of colours, creating striking contrasts and juxtapositions that give the film a slick contemporary feel.”

Credits:

Client: OPPO

Agency VCCP

Creative Director Veryan Prigg, Kieran Knight

Executive Producer Greta Wynn Davies

Production Company VCCP Kin 

Producer  Swifty Hanrahan

Director Luc Reso Janin

Dop Dan Holland

Production Designer - Max Meronti

Editor - Jack Singer @ Stitch

AFX Designer (screen content design) - Stuart Fortune

Post UNIT Studios

Executive Producer Darryl Bolton

Producer Semley Wilkinson

2D Leire Sanz

3D Richard Nelson

Design Ella Marie

Colour Nick Dalby



"His work is totally psychedelic" - Multimedia filmmaker HANZOHANZO joins The Visionaries

We are delighted to announce that multiple award-winning director HANZOHANZO is joining The Visionaries for freelance representation.

HANZOHANZO is a designer, filmmaker and creative director that has been blessed by the spirit of multi-innovation. With a tailored approach towards manga-inspired animation, commercial films and hyperreal motion content, the young auteur has a diverse taste in visual storytelling and is heavily inspired by manga serials such as Ghost in the Shell and Akira.

HANZOHANZO, the pseudo name for Hans-Christoph Schultheiss began his career at the age of 16, when he began working on classic cel animation projects. He then utilised his alias as a way to bring out his alter ego. As an auteur, this has enabled him to alternate between his three positions, giving him the ability to switch roles and be wholly committed to one project at a time.

Though HANZOHANZO often takes a more sincere approach to filmmaking, he isn’t one for total sincerity and can often be much more lucid in his approach.

With so much more to offer, and having worked as a commercial director for international brands such as Puma, Oppo, Lamborghini and Mercedes-Benz, the arrival of the young filmmaker looks to be an exciting prospect.

Managing Director, Corin West - Founder of The Visionaries - welcomes the arrival of HANZOHANZO to The Visionaries network:

“Hans is truly a unique talent. His work is totally psychedelic, I love it! I can’t wait to see what he can bring to the advertising landscape here in the UK”.

Puma - Unlock New Levels (Supercut)

Oppo X - League of Legends

EnBW S2 - Rocking on E (En dub)

If you’d like to see more of HANZOHANZO’s work click here.


Patrick Killingbeck puts the Arlo Pro3 Floodlight Camera through the paces

Patrick Killingbeck teamed up with Europe’s number 1 security camera brand in a slick new commercial for the launch of the new Pro 3 Floodlight Camera across EMEA.  In the true spirit of putting the Pro 3 Floodlight Camera through its paces, the creative vision required a car racetrack, a professional racing driver and nightfall. The location of the shoot therefore took place at the iconic Goodwood racecourse and features one of Britain's leading young drivers, Jamie Chadwick. 

Client - Arlo 

Agency/Prod company - Bravespark 

Creative - Rob Remington Drake & Dan Jerrard 

Director: Patrick Killingbeck 

Producer: Annalise Valentino

HOP: Mike Facey

Production Assistant: Alex Flowers & Adam Merridan

DOP: Carl Burke


‘A Sausage CaRoll’ - The Visionaries director Michael Baldwin teams up with Ladbaby for Walkers Christmas ad

Walkers dropped their Christmas advert for 2020, directed by Michael Baldwin through Craft Films. The advert features internet sensation and the man behind 2019’s Christmas number 1 ‘ I Love Sausage Rolls’ - Mark Ian Hoyle , commonly known as LadBaby. Other famous faces include Walkers regular Gary Lineker, Aled Jones and East 17. 

The festive silliness is full of sausage roll puns and pop culture references which is brilliantly put together by Michael, making for one of the most enjoyable Christmas spots of the year.


 ‘This was one of those jobs where everyone was singing from the same song sheet (literally) and it was just as much fun to make as it is to watch. Luckily the covid filming restrictions didn't compromise the creative. Oh, and it's for a brilliant cause too so hopefully there'll be a lot of munching this festive season. Merry Crispmas!’ - Director Michael Baldwin.

Walkers.jpg

CREDITS

Agency- Elvis Communications

Creative Directors- Rob Griffiths, James Hudson

Producer- Lottie White

 

Production Company- Craft Films

Director- Mike Baldwin

Directors Agent - The Visionaries

Exec Producer- Phil Myers

Production Manager- Agne Motieciute

1st AD- Sam Dawking & Steve Wingrove

 

DP- Federico Alfonso

Focus- Ian Coffey

2ns AC- Ben Howlett

Gaffer- Niko Kalimerakis

Sound- Jonny Horne

Video playback- Nat Valente

 

Art Director- Jess Elcock

Wardrobe- Jenny Svantesson

MUA- Simone Beyleveld

 

Casting: Hannah Simons Casting

 

Editor- Kit Jennings

Online Editor- Thomas Faulkner

 

Grade- Jonny Tully @ Tag  

Audio Mix- Tag & Vaudeville Post

VFX: Cherry Cherry




Award-winning director Emily McDonald joins The Visionaries

Emily McDonald is an award-winning director based in London, UK.

With a focus on uncovering honest and unique stories within society, Emily’s work challenges our cultural ideas. She has carved her path as a director by learning to partner with brands to tell these stories, without compromising the energy or spirit of documentary filmmaking.

Emily takes a proudly ethical approach to her work and believes that “this will always lead to telling the most compelling story.” Receiving recognition for both her documentary and commercial work, Emily has won numerous awards including a Gold Young Director’s Award at Cannes.

Corin West, Co-Founder of The Visionaries says; ‘Emily’s work has a distinct and pure identity that effortlessly glides through multiple genres from sports documentary to fashion. Her work often celebrates and tells the stories of LGBT+ and marginalised voices in an authentic way that makes the viewer lean in and listen. It’s an extraordinary skill that is so rare in modern filmmaking that often overlooks the narrative as a trade off for electric visuals. Emily has so much to offer brands and the creative industries, I’m looking forward to seeing how the next stages of her career unfold.’

You can view more of her work here.

‘Rise Entrepreneur’ - The Visionaries Director Phil Hawkins directs new ad for Tide

The Visionaries director Phil Hawkins has teamed up with Sidekick Studios to direct the latest TV advertising campaign for UK-based business current account provider, Tide.

 Encouraging budding entrepreneurs to pursue their dreams of starting a business, the ad sets the stage for “a new breed of business owner to disrupt the status quo and challenge old ideas.

 The 20-30 second ads will air during peak hours across ITV Breakfast, Sky Sports network, Sky News, Channel 4 and Channel 5 throughout October.

 George Schmidt, VP of marketing at Tide says: “We hope this campaign will help spark inspiration in others and that they will take time to discover not only their entrepreneurial spirit with Tide, but also the products and services of the featured members: London Refinery, Lili’s Chocolates, The Strap Tailor, Gaslight Distillery and Camie & Lily’s."


CREDITS

Agency - Sidekick Studios

Creative - Rupert Mason

Production Company - 

Director - Phil Hawkins

Directors Agent - The Visionaries

Production Company - The Fable Fox Group

Producer - Lisa Cawthorne

DOP - David Meadows

Post Production - The Mill

Tom Brown directs "Reimagine the world like a gamer" for Unicef with UNIT9

The Visionaries Director Tom Brown has directed a poignant ad for VaynerMedia London’s collaboration with Unicef. Together, they have created a campaign which aims to change the UK public’s perception of migrants, turning refugees into heroes. 

Told through the eyes of three refugee children, Nora, Sama and Pouya, the one-minute campaign film follows their experience as they ‘unlock’ skills in the style of a video game and work towards their dream futures - becoming a doctor, an author and a pilot, respectively. The ad calls on the audience to help them reach their goals with the headline: ‘Your New Mission: Unlock Their Potential’.

Here’s what Tom had to say about working on the campaign: “I'd always wanted to work with UNICEF so I was super excited to bring this project to life. The main hurdle was the shoot - we were still deep in lockdown, so the whole process was entirely remote. It was my first time directing across continents but thanks to the amazing team on the ground and Vayner's beautiful work with the design of the graphics, I think the final spot ended up looking great.”

CLIENT

CLIENT: UNICEF

TITLE/PROJECT: Reimagine - Gaming

AGENCY

AGENCY: VaynerMedia London

AGENCY CONTACT: Miles Byrd, Senior Account Manager

CLIENT NAME: Codi Trigger

CLIENT JOB TITLE: Global Campaign Manager

COPYWRITER: Esin Huseyin

ART DIRECTOR: Davide Mauroni

ASSOCIATE CREATIVE DIRECTOR: Dan Fryer and Gate Lambert

PRODUCER: Andrea Ogunbadejo

PRODUCTION

PRODUCTION COMPANY: UNIT9

DIRECTOR: Tom Brown

DIRECTORS AGENT: The Visionaries

Tom Brown teams up with Adidas & Manchester United in offbeat film series

Adidas announced the release of Manchester United’s third shirt with two online films from director Tom Brown in collaboration with UNIT9 and The Marketing Store. 

Adidas - Man U 4.gif

The films celebrate the uniqueness of the third kit, with its internationally divisive hacked striped design. The films aims to reinforce this idea by demonstrating that when you think differently, you get different results. 

"To bring this larger than life kit to the screen was a huge project especially whilst adapting to new COVID shooting rules. The first time I saw that mash up of zig zagging lightning bolts and stripes, I knew it would require something slightly surreal, with a unique on-screen language to launch it into the world.” - Tom Brown

Tom Continues:

“Early on, we decided to lean into the adidas design ethos of taking heritage concepts, cutting them up and reassembling them with a new flavour. We made the line 'hacked and modernised' our mantra and the 'remix' style was echoed through everything from the whip pan dialogue to the camera movement and VFX.”

Adidas - Man U.png

Tom continues:

“Getting to orchestrate so many different artists and personalities in one place was pretty amazing and felt like our underlying concept writ large. Just like the creators of the kit —we took lots of incredible talents and threw them together in an off kilter way and created something big, fun and totally unpredictable. I can't wait for people to see it.” 

Check out more of Tom’s work here

CREDITS:

THE MARKETING STORE

SENIOR ACCOUNT DIRECTOR: Mike Wolverton

CREATIVE DIRECTOR: Steve Guilfoyle

BUSINESS DIRECTOR: Chris Bennett

UNIT9

EXECUTIVE PRODUCER: Andrew Davies

PRODUCER: Harry Starkey-Midha

PRODUCTION MANAGER: Eolande Diaz

ADIDAS

DIRECTOR SPORTS MARKETING: Tom Braithwaite

SENIOR COMMS MANAGER: Ramy Camel-Toueg

CREATIVE SHOOT PRODUCER: Alex Plummer

How do you get hybrid performance? ‘Throw out the rule book’

New wave approach in Hybrid landscape 

 ‘Rules are there to be broken….’, this couldn’t be more true at a time when so many channels and brands are competing for space in a multi-platform world. So how does one get noticed? By breaking the rules that’s how. 

Take for example Channel 4’s meta travel show, Travel man with Richard Ayoade. The show was one of the first shows to break the fourth wall and to be self-referential.  Richard narrates “ we have booked some of the most available and affordable names in light entertainment’…. Mini-breaks are a swirling nebula of nonsense!”. What could be more weird than sending a man who doesn’t like to travel to present a travel show. But it works and is now on its 10th Series. 

Comedy TV and commercials Director, Leo McCrea who set the shows Style and Tone is an expert at getting the  best and most natural performance out of the talent which is not always an easy task when shooting 6 scenes a day. 

He says: ‘ Despite having a script and clear direction of what we want to achieve in each scene, it is about  creating the space for the comedians and guests to improvise around a script so that we achieve natural and authentic performances’.

The much acclaimed ’Mortimer and Whitehouse Gone Fishing’ was likewise the polar opposite of everything on TV in the factual entertainment space. The audience gets to enjoy the strangely soothing ramblings of comedy legends and real-life friends, Bob Mortimer & Paul Whitehouse, while going on various fishing trips together. What makes the show so unique is that the fishing takes a backseat and the dialogue which ranges from the existential to the mundane become the real heart and soul of the programme.  It’s like watching two friends bicker in the corner of the pub. 

Bob - “I were born in Yorkshire and I shall die here.”

Paul - “No, you won’t, You’ll die in Tunbridge Wells with your hedge fund friend.”

Leo McCrea and the team wanted the show to be a relaxing and calming watch, they achieved this by doing the following “Imagine filming a dialogue scene where you are directing for the least amount of cuts to be made, it was the antithesis of fast cut TV, this was slow burn television. That’s not to say that we didn’t film cutaways, establishers and beauty shots, we filmed a lot but always under the proviso to have each shot on screen for the maximum amount of time” said Leo. Again this style of TV directing is about creating enough space so that the performers feel they have the space and time to improvise around the scripted themes. 

And more recently this approach is starting to infiltrate the Advertising landscape, where brands realise that their consumers want content they can engage in and be entertained by, content that feels ‘Real’.

Leo recently directed Spark 44’s branded content for Landrover Discovery amusingly titled ’The Knob’ with Jack and Michael Whitehall. He carefully planned to shoot the script to spec but also allowed time for the talent to improvise around the script despite racing against the tide coming in. The film was shot at La Corbiere Lighthouse in Jersey. Michael and Jack drive their Discovery out onto the causeway with a huge Air Stream trailing behind them because Michael wants to show Jack some history and admire the lighthouse up close.  When the tide siren goes off and the sea is about to engulf the causeway it is the Landrover’s tow assist that saves the day, cue dramatic music and real time drama as drones and multiple cameras capture the action. The film has been shortlisted for the British Arrows 2020 awards.

 The more brands and channels embrace different ways of making content, creating embedded narrative and natural performances to deliver messages the more engaging brands will be. 

So take the rule book and throw it out the window.

Check out more of Leo’s work here.

Justin Reardon arrives at The Visionaries for freelance representation in the UK

Hailing from Tranquility, New Jersey, fast-tracked to Chicago then catapulted to Budapest from Hollywood; Grand Prix winning director Justin Reardon has arrived at The Visionaries for independent freelance representation. Uniquely, this A-list director can now work with any production company in the UK.

Justin’s illustrious career has often raised eyebrows across the creative industries when, after winning a Grand Prix for the iconic ‘Wassup’ Budweiser campaign, he pivoted his career to follow his righteous path of becoming a director. 

In LA, then signed to Anonymous Content, Justin shot hundreds of commercials and quickly amassed a reputation for being one of the top comedy commercial directors in the world. Justin has amassed every creative award in the industry, both in the U.S. and Internationally with his work becoming instant hits with people far beyond the film and advertising industries. Throughout his work, Justin has refined his comedic storytelling, blending bold performances and well-defined characters with a sweeping visual style.

In 2014, Justin completed his first comedy feature film, Playing It Cool starring Chris Evans, Michelle Monaghan, Topher Grace and Luke Wilson. Justin is also presently casting for his new off-beat Indy film CONVENTION, starring Ben Kingsley, with Rushmore’s Paul Schiff producing.

Big ideas and razor-sharp decisions are something of a theme across Justin’s career which is why he left Hollywood a year later to start up his own production company in Budapest called The Royal Budapest Film Company. 

Justin and his wife Barbara have permanently moved to Budapest, Hungary where they live with their two children, Lola and Leonardo.

Justin comments: 

“Outside of the birth of my children, this is the happiest day of my life. Seriously though, as the industry finds its footing in our new normal, I think this partnership makes a lot of sense”.

Corin West, Lemonade and Visionaries founder says  

“Justin’s work had me giggling for hours (there’s that much work in there). He’s an incredible creative talent and the warmest human being you could hope to work with. We can shoot with him in the UK or in his new hometown Budapest, there are so many exciting ways we can approach a production with Justin.” 

Check out Justin’s carefully curated reel here.



We Will Get There by Jeremy Haccoun

The Visionaries director Jeremy Haccoun has created a global emblem of hope in this lockdown film crafted entirely from stock footage.  

After spending hours on the phone with friends & family during the lockdown, Jeremy realised how much we had all been taking social contact for granted, and how sorely we missed it. He began thinking about a film that would show how amazing life could be the day this is over. He couldn't shoot anything obviously, so it would have to be made differently.

 

We caught up with Jeremy to discuss his approach:

 

“As more and more artists kept finding new ways of expressing themselves, I looked into making a film entirely out of stock footage. But most stock footage websites charge by the clip, and a film like this would just be impossible to make on a budget. Until I came across a couple of companies offering unlimited downloads for a monthly fee. This suddenly became doable: I could have a freedom akin to that of directing, and choose exactly the moments I needed among millions of videos. Once I had found the right music track - “Loud Minds”, used under license from Audiomachine - the footage selection is what took the most time. Then it was a case of finding the structure, writing and recording the voice-over.

 

The message of us all coming together is not new. However, I feel like there’s never been a better time to celebrate it. When things as simple as a handshake, a hug, or a visit to your grandparents become a distant dream, it is so surreal that you want to share it with others any way you can.

 

In times of uncertainty, hope is the one thing that keeps us going and I wanted to put as much of that as I could in these two minutes. This was my way of coping with the isolation of the last few months, and if it could remind people that there is light at the end of the tunnel, and most importantly, that the things we care about are not gone, then it would be time well spent. Let's hope we can soon make this a reality again.”



Check out Jeremy’s reel here.

Inimitable talent Luc rëso Janin joins The Visionaries

We are proud to announce our latest signing in the form of inimitable talent Luc rëso Janin who joins for freelance representation.

Luc is a director of commercials, music videos and content but first, he is an artist. He spent his youth illegally decorating the streets of Paris with edgy graffiti pieces gathering a cult following in the process, and a stint of community service he enrolled himself at the prestigious art school Penninghen (ESAG). There he studied graphic design and illustration, whilst working on specially commissioned street art for brands. 

Luc enjoys working with both still and moving-image, one heavily influencing the other. Key to his style is a combination of meticulously crafted post-production and in-camera techniques with raw live-action to create technical yet authentic films.

Luc Janin comments, ‘The Visionaries seem a perfect fit for me at this stage, as I can already feel the new flow of opportunities coming through them in the UK and internationally while keeping my so precious freelance freedom. The best of all worlds really, reshaping my post-lockdown boredom into a positive and busy creative vibe. Looking forward to seeing it develop!’

SPECIAL K x REEBOK - Get Active

Corin West, Lemonade and Visionaries founder says, “Luc’s work and his personality are a great fit for The Visionaries. He’s such a versatile director who can apply himself to all the production dilemmas and creative demands modern commercials have. His artistic flare to directing is fresh as is his ability to capture authentic and meaningful moments.”

Perrier - Flavour Inspiration

An award-winning director, his work across motion graphics, music videos and commercials has seen him collaborate with major international brands including MTV, BBC, Pepsi, Adidas, Nike, Lacoste, Guinness, Volkswagen and Nissan. 

Check out more of his work here.

Tom Crate visualises Beautyrest’s premium design and state-of-the-art technology

Visionaries director Tom Crate and motion design studio Tendril were commissioned to develop a film that visualises Beautyrest’s premium design and state-of-the-art technology.

The goal was to evoke an experience of deep relaxation while describing the product’s technical components, showing how they work to deliver a first-class sleep experience.

Credits:

Client Beautyrest

Agency Badger & Winters

Chief Creative Officer Madonna Badger

Executive Creative Director Grace Chu

Group Creative Director Clark Fisher

Creative Director John Castrillon

Executive Producer Celeste Holt Walters

Producer Celia Ettinger

Senior Art Director Grethel Zarate

Art Director Ivan Wolin

Senior Copywriter John Olson

Production Company Blacklist

Executive Producer Andrew Linsk

Producer Daniel Graf

Design + Animation Production Company Tendril

Executive Producer Anne Deslauriers + Ashley Monaghan

Creative Directors Chris Bahry + Alexander Torres

Director Tom Crate

Producer Leah Wesolowski

Claire Norowzian directs Yoplait 'No Limits'

Yoplait x Yoanna Dallier

Claire Norowzian directed freestyle football champion Yoanna Dallier as she teaches kids some simple tricks, with the help of Yop! Shot in London just before lockdown,

DIRECTOR: Claire Norowzian w/The Visionaries
DOP: Nicholas Bennet
PRODUCER: Benedict Murray
ART DIRECTOR: Hannah Knowlton
WARDROBE: Jenny Svantessen