We Will Get There by Jeremy Haccoun

The Visionaries director Jeremy Haccoun has created a global emblem of hope in this lockdown film crafted entirely from stock footage.  

After spending hours on the phone with friends & family during the lockdown, Jeremy realised how much we had all been taking social contact for granted, and how sorely we missed it. He began thinking about a film that would show how amazing life could be the day this is over. He couldn't shoot anything obviously, so it would have to be made differently.

 

We caught up with Jeremy to discuss his approach:

 

“As more and more artists kept finding new ways of expressing themselves, I looked into making a film entirely out of stock footage. But most stock footage websites charge by the clip, and a film like this would just be impossible to make on a budget. Until I came across a couple of companies offering unlimited downloads for a monthly fee. This suddenly became doable: I could have a freedom akin to that of directing, and choose exactly the moments I needed among millions of videos. Once I had found the right music track - “Loud Minds”, used under license from Audiomachine - the footage selection is what took the most time. Then it was a case of finding the structure, writing and recording the voice-over.

 

The message of us all coming together is not new. However, I feel like there’s never been a better time to celebrate it. When things as simple as a handshake, a hug, or a visit to your grandparents become a distant dream, it is so surreal that you want to share it with others any way you can.

 

In times of uncertainty, hope is the one thing that keeps us going and I wanted to put as much of that as I could in these two minutes. This was my way of coping with the isolation of the last few months, and if it could remind people that there is light at the end of the tunnel, and most importantly, that the things we care about are not gone, then it would be time well spent. Let's hope we can soon make this a reality again.”



Check out Jeremy’s reel here.

Inimitable talent Luc rëso Janin joins The Visionaries

We are proud to announce our latest signing in the form of inimitable talent Luc rëso Janin who joins for freelance representation.

Luc is a director of commercials, music videos and content but first, he is an artist. He spent his youth illegally decorating the streets of Paris with edgy graffiti pieces gathering a cult following in the process, and a stint of community service he enrolled himself at the prestigious art school Penninghen (ESAG). There he studied graphic design and illustration, whilst working on specially commissioned street art for brands. 

Luc enjoys working with both still and moving-image, one heavily influencing the other. Key to his style is a combination of meticulously crafted post-production and in-camera techniques with raw live-action to create technical yet authentic films.

Luc Janin comments, ‘The Visionaries seem a perfect fit for me at this stage, as I can already feel the new flow of opportunities coming through them in the UK and internationally while keeping my so precious freelance freedom. The best of all worlds really, reshaping my post-lockdown boredom into a positive and busy creative vibe. Looking forward to seeing it develop!’

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Corin West, Lemonade and Visionaries founder says, “Luc’s work and his personality are a great fit for The Visionaries. He’s such a versatile director who can apply himself to all the production dilemmas and creative demands modern commercials have. His artistic flare to directing is fresh as is his ability to capture authentic and meaningful moments.”

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An award-winning director, his work across motion graphics, music videos and commercials has seen him collaborate with major international brands including MTV, BBC, Pepsi, Adidas, Nike, Lacoste, Guinness, Volkswagen and Nissan. 

Check out more of his work here.

Tom Crate visualises Beautyrest’s premium design and state-of-the-art technology

Visionaries director Tom Crate and motion design studio Tendril were commissioned to develop a film that visualises Beautyrest’s premium design and state-of-the-art technology.

The goal was to evoke an experience of deep relaxation while describing the product’s technical components, showing how they work to deliver a first-class sleep experience.

Credits:

Client Beautyrest

Agency Badger & Winters

Chief Creative Officer Madonna Badger

Executive Creative Director Grace Chu

Group Creative Director Clark Fisher

Creative Director John Castrillon

Executive Producer Celeste Holt Walters

Producer Celia Ettinger

Senior Art Director Grethel Zarate

Art Director Ivan Wolin

Senior Copywriter John Olson

Production Company Blacklist

Executive Producer Andrew Linsk

Producer Daniel Graf

Design + Animation Production Company Tendril

Executive Producer Anne Deslauriers + Ashley Monaghan

Creative Directors Chris Bahry + Alexander Torres

Director Tom Crate

Producer Leah Wesolowski

Claire Norowzian directs Yoplait 'No Limits'

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Claire Norowzian directed freestyle football champion Yoanna Dallier as she teaches kids some simple tricks, with the help of Yop! Shot in London just before lockdown,

DIRECTOR: Claire Norowzian w/The Visionaries
DOP: Nicholas Bennet
PRODUCER: Benedict Murray
ART DIRECTOR: Hannah Knowlton
WARDROBE: Jenny Svantessen

Will Innes Smith directs the new vibrant campaign, ​Play The City​ for Expedia

The new launch campaign follows the euphoria and excitement of football fans travelling around the globe to support their beloved teams through thick and thin. Will captures the spirit of the beautiful game perfectly, while also depicting the sense of adventure and discovery that only travelling can bring.

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“​I wanted to create a film that not only appeals to both its natural audience in a way that demonstrated Expedia ‘gets’ football but also appeals to those less passionate about the beautiful game through its fresh execution and style”.​ ​Will Innes Smith


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Award Winning Director Ross Bolidai Joins The Visionaries for representation

We are delighted to officially announce that Royal Television Society Award and D&AD Pencil winning director Ross Bolidai has joined The Visionaries for freelance commercial and film representation.

Bolidai burst onto the scene in 2012 after his first short documentary won the ‘Best Student Documentary’ at the Royal Television Society Awards. Over the past 8 years, Ross has been recognised both nationally and globally. Racking up no less than 35 major award wins and nominations for his work.

In 2016, Ross won the Channel 4 First Cut Pitch at Sheffield Doc/Fest and went on to work in development at AMOS Pictures, under the mentorship of Dan Reed (Leaving Neverland, The Pedophile Hunter). At AMOS, he developed documentaries for both the BBC and Channel 4, Directed second unit on Calais: The End of the Jungle for BBC2 and shot Panorama: What Just Happened for the BBC.

Moving on to Passion Pictures Films, Ross developed his first theatrical feature documentary with John Battsek (Searching for Sugarman, The Tillman Story, Fire in Babylon, The Imposter, I am Ali, One Day in September).

Ross was approached by AMV BBDO to re-purpose his documentary short The Journey into an online advert for Mars, his first piece of advertising. The piece won 22 advertising awards, including a Silver at Shots and two D&AD pencils.

Bolidai’s breadth of expertise has seen him link up with a number of other big brands companies such as YouTube, PayPal, Carphone Warehouse and Currys PC World.

Ross Bolidai commented; “I am thrilled to be represented by The Visionaries. I was drawn by not only their exceptional roster but by their wonderfully warm and personal energy. I feel incredibly supported and excited to embark on new adventures together.”

Visionaries Co-founder, Patti West adds; “We are honoured to welcome Ross Bolidai. His style is characterised by immense sensitivity to the subject and visual finesse resulting in honest storytelling.”

If you would like to view Ross’ portfolio, or simply find out more about our latest recruit, please click here.

Star Wars Origins: One Month On

STAR WARS: ORIGINS is a thrilling action-adventure film drawing inspiration from both STAR WARS and INDIANA JONES to tell an epic story based on Earth during WWII. 

Filmed in the Sahara Desert, Morocco, STAR WARS: ORIGINS is the culmination of three years’ work made by an award-winning team, and life- long STAR WARS fans; writer/director Phil Hawkins and Executive Producer Gary Cowan of Velvet Film Production.

After the release of Star Wars Origins, Writer/Director Phil Hawkins sits down with us and reflects on the success of the film one month on.

How has the response been since the release of the film?

“I’ve been blown away by the response to the film from critics and fans alike. The Star Wars fan community can be a divided one so to have created something that seems to have captured the imaginations of all generations of fans has been lovely to see. It was a big risk to not only make the film but to tell a unique story and fans have really embraced it.

Has this film opened many doors for you? 

The film was only launched a few weeks ago but I've already been getting some brilliant feedback from a bunch of top-level producers and companies... one, in particular, is one of those 'once in a lifetime' emails that I never would have received if I hadn't made the film. Knowing that some of your idols have watched and actually liked the film is a little mindblowing! I'm already heading out to LA soon to take some meetings so that's all pretty exciting.

Do you wish to make more fan films? 

I'll make one with $100m that's feature-length! I mean, if I ever got the chance to be a small part of one of the franchises I love then I would be kinda making a fan film... just on a much larger scale and not with my own money! But no, I'm not planning on making another as much as the fans would like one. I don't think my exec producer Gary Cowan is crazy enough either... although we do joke about what we'd tackle next as it was a lot of fun. As a filmmaker though, I set out to make a film that encapsulates what I love about these films, the genre and my skill set as a director and I think I've done that. I don't think they'd be anything to gain by doing it again.

What were your expectations prior to the release?

I just hoped people would watch it all the way through until the end because the big twists/reveals come in the 2nd half. You're rewarded by sticking with the story. With YouTube attention spans, getting people to engage in a film that's 21 minutes long is a big ask when there's always something to else to click on. I'm the same... you're much less forgiving compared to sitting in a cinema as a captive audience. I wanted the film to have the pace of a classic action-adventure movie and that goes against probably every "rule" of creating content for YouTube. But I'm so pleased that people have invested that time to watch the whole story - and many have multiple times! So, maybe I shouldn't have worried.

What was your proudest achievement regarding this film?

It's probably an obvious one but just actually getting it made. There were so many challenges, delays, logistical issues etc along the way that sometimes when you're alone in your office at 1 am working out another plan it feels like the film will never get made. Obviously, I couldn't do it alone so the folks at Velvet Film were a massive help and support throughout the process. I wrote the film without restrictions as if I had an unlimited budget actually not knowing how I'd be able to pull off certain sequences. I expected some of the big ones to diluted in the process of making the film as practicalities set in but I'm proud of the fact that we never did. It's not often you can say you made a film without compromise and that's something everyone who was involved in making the film can be proud of.

The film was released on the 12th of December on YouTube and has gained over 170,000 views in counting. The film, just like the trailer received universal acclaim by publications and fans:

"Impressive" - /Film

"A spectacular, whimsical, and entertaining film" - FirstShowing

"A must for any Star Wars fan... keeps you gripped from start to finish that will blow you 

away" - Blazing Minds (5 Stars)

"A work of art" - Back To The Movies

5 STARS - David Reviews

"Incredibly well-made and thrilling to watch from start to finish" - ScreenRant

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Check out the full film here

Sebastien Guy Joins The Visionaries

We are delighted to announce Sebastien Guy has joined The Visionaries for freelance representation. 

Sebastien Guy’s work can be described as versatile, as he incorporates beautiful imagery and comedy performance in his films. He has shot numerous car commercials for the likes of Mercedes, Volvo, BMW and Mitsubishi. 

He has also created many charming, performance-led films for brands including Facebook, Canon, Tresemme, Rexona and McDonald's.

Sebastien started his career in Los Angeles as an actor, studying film at California State University. After having appeared in countless television commercials, Sebastien moved behind the camera to become a strong visual and performance director.

His unique ability to draw out true, honest and real performances is a function of the relaxed environment he creates on set. The defining feature of Sebastien’s work is always a beautiful and cinematic look. 

We are excited to announce Sebestrian Guy is now local to the UK market and exclusively repped by The Visionaries. To check out more of his work click here.














Michael Baldwin directs series of promos for I’m a Celebrity… Get Me Out of Here!

The iconic British survival reality television game show series I'm a Celebrity... Get Me Out Of Here!  is back on our televisions screens for their 19th season.

With the new series comes the latest string of promos from ITV. They’ve enlisted director Michael Baldwin to direct the hilarious campaign which stars comedy duo Ant & Dec. 

Each film shows the two lost at sea, presumably on their way to the Australian jungle. The spots are riddled with funny gags, one-liners and quirky comments all of which are expected from Ant & Dec. 

“Always true pros, Ant and Dec took to this idea like ducks to water, despite the fact the only thing in the studio was a boat and lots of green. The whole campaign was born out of an “All hands on Dec” gag, just to show that old jokes are still the best.” - Michael Baldwin




Go Deep Sea Diving With James Morgans new spot for Ottonova

James Morgan is known for capturing the beauty of the world in his films. However this time James has you thinking about the dangers of the world with this harrowing film for German insurance firm Ottonova. In this ad for the German market, we see a scuba diver navigating through caves and finds himself surrounded by sharks. 

Accompanied by a sound design that has you at the edge of your seat this spot is a departure from his past underwater films. 


His spot for Creme De La Mer had him dive into the wonders of the deep blue ocean to promote their partnerships in ocean conservation, and his Netflix Film Jago: A Life Underwater is about an Indonesian Fisherman who runs across the bottom of the sea to hunt fish.

Who knows what part of the world James will capture next, all we know is that an incredible story will accompany it. 

Luca Caon joins The Visionaries

A true storyteller, Luca Caon has been working in visual storytelling since his early twenties, first as journalist and photojournalist. He then went onto work as various roles in feature films in Italy and Switzerland.

His work includes fashion films, TVC’s, corporate and branded content, with a focus on luxury and beauty brands including Armani, Valentino, Hugo Boss, Lavazza and Samsung. 

Luca Caon’s work combines engaging narrative with high-end imagery. Luca's style, made of great attention to detail, symmetrical image composition and sumptuous cinematography, has been the choice of a wide range of Italian an international clients, with his minimalist elegance and its uncompromising cinematic quality.  

His personal pursuit as a commercial director is to tell engaging stories through perfectly crafted cinematic images. Tailoring the style and the visual approach of every film to the exact requirements of every project .

To check out more of his work click here.

Patrick Killingbeck joins The Visionaries for freelance representation

Patrick Killingbeck started his creative journey by creating beautiful installations and art exhibitions but soon moved into making films.

After earning his stripes in music videos, Patrick delved into the world of commercials directing ads for global brands.  His style embraces high levels of aestheticism with a focus on framing and styling, supporting the story at the heart of each video.  Breaking away from the boundaries of traditional film, Patrick captures his subjects in refreshing and captivating ways creating his bold and recognisable style.

His work is stylish and sophisticated yet always considered and thought through; his goal is to be able to elevate the mundane with beauty and meaning; to spark insights and reflection into people’s minds with an image. 

A testament to his words is his ability to deliver beautiful work for popular brands such as Prada, Barbour and Saga.

His goal is to keep refining his craft and tuning his style which will make him recognisable in the industry.

To check out more of his work click here.

Martin Bennett's New Spot for Hertz Embodies The Holiday You've Always Wanted

Kick off this summer with an adventurous new spot by Martin Bennett that’s guaranteed to give you the travel bug.

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Made for Hertz Car Rental, the dreamy spot shows the best that the hot season has to offer. From sunny beach days to quiet evenings in nature to exploring new cities, Bennett captures the excitement and optimism of summer.

With a background in advertising photography, Bennett clearly has an eye for detail and graphic imagery. His stunning cinematography, capturing scenes worthy of a National Geographic magazine, coupled with clean editing and the catchiest, happiest French song imaginable creates a romanticized, idealistic image of a summer we can all only imagine having.

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Shot on location in Barcelona, Spain, the spot highlights not only the city’s stunning visuals but also Bennett’s skills in storytelling. Despite its fast pace, Bennett still manages to craft a sense of warmth, optimism, and wonder in the 1-minute ad. He captures the enthusiasm and excitement only found on holiday.

So pack your bags and get ready — Martin Bennett (and his new spot) is going to bring the urge to travel to you. Check it out!

Toby Meakins' Fast and Furious Spot for Jaguar Land Rover

Quick shots, for a quick car — Toby Meakins’ latest work for Jaguar Land Rover is as fast and sleek as the car itself.

Done as an internal film for Jaguar, the spot was only shown to the employees of Jaguar itself.

With a background in dystopian and horror genres, Meakins brings his eerie and futuristic style to the spot. He uses quick cuts and quick camera movements, through zooming in and panning across, to create a cutting edge feel. Meakins presents to us the vision of the future and the car to cruise in it.

However, this isn’t Meakins only brush with a large company. He’s worked with Deloitte and HSBC, and even created his own short film, FLOOR 9.5, which has been praised by AdWeek and awarded a 2018 Cannes Lion and a Best of the Best at the Brand Film Festival.

This latest spot for Jaguar only adds to Meakins’ already impressive resume of work. Fast, sleek, and modern, it’s a fearless film for a fearless car. Check it out:

Dive Into James Morgan's Underwater Spot for La Mer

Dive into the wonders of the deep blue ocean with James Morgan’s latest spot for La Mer’s Blue Heart campaign.

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Crafted for the well-renowned beauty and skincare company, the spot embodies the heart and mission of the Blue Heart campaign that La Mer is putting forth. Seen through the eyes of a child, the spot captures the wonder and awe that we’ve had with the ocean and all its fish and wildlife; it brings to life all of its beauty.

The Blue Heart campaign serves to protect marine habitats around the globe. Despite the harsh realities of climate change being evident to everyone around the world, the spot truly serves to remind us of the beauty that could be lost without fast action. As the campaign is in support of ocean conservation projects, striving to create a future with flourishing seas, we at The Visionaries are more than proud to back such an important cause and a beautiful spot.

Having created numerous commercials and documentaries centered around nature, it’s clear that the cause is close to Morgan’s heart as well.

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A prestigious and award-winning director, Morgan has created spots for The Guardian, Facebook, Universal Records, and more. His spots cover a diverse range of topics, but underneath it all, it seeks to show the natural beauty of the world and the people that inhabit it.

Outside of commercial content, Morgan has also created both documentary and fictional feature films. From short films made for Vice to documentaries shown on Netflix, Morgan’s work is continuously praised for its beauty and cinematic nature.

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Morgan lends his instantly recognizable visual style to this latest spot. Shot on location in St. Vincent and Grenadines, the spot is chock-full of stunning cinematography that captures both the grandiose size and mystery of the ocean, whilst also focusing on the magical creatures and plant life that makes it so enchanting.

Shot topside and underwater, the shot was cut and edited with all the post-work completed, back in London. Interestingly, Morgan worked with identical twins when it came to prepping the starring role; both child actors encapsulated the mystical essence that Morgan evokes in his directing.

Charmingly captivating and ethereal, Morgan’s spot shows us just how much we have to lose if we don’t take action. Check it out!