Claire Norowzian’s Latest Job for Old El Paso Fulfils the Most Colourful Of Taco Dreams

Claire showcases her impressive directing & VFX talents to bring this Old El Paso ad to life, with vibrant graphics and icons popping up from every direction, paired with dynamic performance and joyful colour saturation.

Claire had this to say: “The dreamy team at VCCP gave us the brilliant brief of bringing Old El Paso’s Street Vibes to life and turning up the dial, quite literally! So that’s what we did. With a talented crew and cast we created a playful film, which we layered with vibrant madness; Collaborating with Coffee and TV to bring the colour and composer Jordan Crisp to create an amped up tune to bring the whole mad thing together!”

Credits

Client: Old El Paso

Int. Marketing Direc: Berengere Dupui

BX Marketing Manager: Sarah Douglas

Brand Experience Mngr: Natasha Desai

Agency: VCCP

Business Director: Sean Kelly

Account Director: Ben Wyver

Creative Director: Ciara O’Meara

Senior Creative: Hannah Talbut

Senior Creative: Joanne Boyle

Director: Claire Norowzian

Director’s Agent : Davide Cantelmo at The Visioanries

Producer: Max Thomas

Production manager: Rob Mercer 

Production assistant: Felix Borer

Production assistant: Farihah Chowdhury

DOP: Tim Fok 

1st ad: Dan Precious 

2nd ad: Gabriel O’donohue 

1st ac: Emmy Robinson 

2nd ac: Ada Wesolowska 

Key Grip: Kevin Foy 

Gaffer: Steve Finberg  

Food Stylist: Kate Giovanni 

Food Stylist assistant: Holly Galliver 

Art Director: Vicente Ben 

Prop Master: Lester Hill 

Hair & Make up artist: Nic Marilyn 

Stylist: Jenny Svantesson 

Stylist Assistant: Tas Case

Edit: Philip Currie @ stitch editing 

Grade: Simona Cristea

Animation & VFX:  Ed Kevill-Davies Coffee & TV

Post Producer: Thomas Godsill 

Sound Design: Will Cohen @ String and Tins 

Music Composer: Jordan Crisp

Chris Fowles’ Latest Spot for Scottish Gov Utilizes Virtual Production and Emotive Performance To Outline Just How Easily Tragedy Can Occur On the Road

Chris Fowles kept it simple and effective, using a single evolving shot paired with state of the art virtual production for the Scottish Government’s new speeding campaign. 

Chris had this to say about the project: “It was a real mix of technical challenges and raw emotion. At its core, it’s all about the actor’s performance — that moment right before the crash where everything just freezes. 

As a director, those are the moments you look for, where the emotion carries the whole scene.

We shot this using virtual production, which was tricky with the tight budget we had. Especially with speed changes and motion control. There were plenty of times where the whole team worked through the night together to figure things out. 

But what made this film special to me was the purpose behind it. It’s a cause I genuinely care about, which made the hard work worth it. 

Speeding, especially in the leadup to Christmas, is something that affects so many lives, and getting the chance to create something that could make a difference was incredible.”

Credits:

Agency: Leith

Creatives: Chris Watson & Rufus Wedderburn

Agency Producer: Kat Jordan

Production Company: Leith Studios:

Producer: Jen Howells

Director: Chris Fowles

Director’s Agent: Davide Cantelmo at The Visionaries UK

DoP: Henry Gill

DoP Agent: Wizzo

Gaffer: Ian Stevens

Casting Director: Claire Catterson

Post-Production: Cheat

Colourist: Jonny Tully

Sound Design: Finiflex Sound Studios

Editor: Dan Austin

Visionaries Director Jeremy Haccoun Creates An Incredible Spec Inspired by Lincoln Using State Of The Art AI Technology

Visionaries director Jeremy Haccoun unveils a mesmerising spec spot for Lincoln, showcasing the breathtaking potential of AI-generated video. Leveraging the recently released Gen-3 text-to-video model from Runway, Jeremy crafts stunning, hyper-realistic visuals by describing his shots as he would to his crew. For example, one prompt that could generate similar shots reads:

"A high angle view of a magnificent desert ground: the sand swells, then a buried 'Black Lincoln Aviator Luxury SUV' slowly emerges from beneath the sand, causing a beautiful chaos of sand. Then all this sand heavily streams down the bodywork. Camera movement: start high angle then descend to a low-angle shot, angled up at the SUV glorious at the top of a dune, with sand streaming down the SUV. Slow motion, magic hour, backlit, flares, drifting dust, superb cinematic lighting."

Jeremy was impressed by Runway’s capabilities and meticulously refined the action, camera movement, and lighting through multiple video generations. As AI-driven content proliferates, he was eager to infuse the result with directorial intention close to that of a traditional shoot, while achieving a visual polish so impeccable you’d never guess it was AI-generated.

He then applied his post-production expertise to complete the project single-handedly: editing, compositing the Lincoln logos onto the car, adding a few more sand elements (also generated with Runway), color grading, and upscaling. The project in total took about two weeks to complete—an astonishing turnaround given the high-end finish.

At the Visionaries, we are always keen to find the best creative solutions for brands, and our directors constantly look to the future. In this instance, Jeremy demonstrates that AI, when used as a tool to enhance human creativity, becomes a powerful visual weapon capable of executing an ambitious brief from the comfort of one’s computer.

This is a spec ad not affiliated with the Lincoln brand, celebrating their iconic designs.

Adu Lalouschek Takes us on a Culture Filled Journey in his latest spot for Tui 🌎

From riding scenic trains and road-tripping through breathtaking landscapes, to candle-lit sketching sessions and vibrant plant-picking, Adu leaves you yearning for a trip around the globe. 

We get up close with elephants for some amazing photos, and dive into bustling markets for a unique shopping experience. Every moment is captured from that quintessential Tui experience – join us for the fun!

Adu had this to say about the project: Directing the new TUI spot in Sri Lanka was a dream. We wanted to reach younger travellers for the new TUI tours, so I pushed the visuals into a modern and playful space. We couldn't have asked for a better location to shoot in than Sri Lanka, it offers such a rich canvas and culture. While shoots like this come with a lot of variables and long hours stuck traveling in vans, the agency and client were amazing. Everything just clicked and I couldn't be happier with how it all came together. 

Credits:

Director: Adu Lalouschek

Director's Rep: The Visionaries 

Producer: Will Breeden

DoP: Ed Hubert

Production: Prodigious London

Agency: Leo Burnett 

CDs: Rob Tenconi & Mark Franklin

Creative: Alice Pearce 

Mateo Willis Brings Us Omnivore, Now Streaming On Apple TV+

Visionaries Director Mateo Willis brings us something very special this month — Omnivore, a new series on Apple TV.

Narrated by renowned chef René Redzepi, the series explores how food shapes and connects the world. From salt flats in Peru to coffee forests in Rwanda, to wild tuna off the coast of Spain, each episode of ‘Omnivore’ celebrates the way we grow, transform and consume the world’s best resources — the ones we eat. 

To tell these stories, Omnivore crisscrossed the globe, bringing you to the places the ingredients originate from and showcasing each destination’s natural beauty.

Mateo, who worked as Exec Producer on the show & directed the 2nd episode (‘Tuna’), had this to say about working on the project : “The scale of Omnivore gave me, as an EP and Director, real scope to peak into some of the most fascinating corners of humanity - from salt workers in Peru to the most exclusive sushi restaurants in Japan. To do each story justice meant finding the right narratives tools, and then pushing them to their limits. Food is never just food”

Credits

Executive Producers: René Redzepi, Matt Goulding, Chris Rice, Ben Liebmann, Michael Antinoro, Max Wagner, Collin Orcutt, Mateo Willis

Host: René Redzepi

Developed by: Cary Joji Fukunaga

Mixed Media For Mentos: Chris Bristow Takes Us Throw A Fruity Tunnel Of Taste

Chris Bristow's latest spot for Mentos leads viewers through an enchanting fruit tunnel, blending incredible mixed media with some serious summer colors.

Chris had this to say about the film: “I wanted to keep the worlds graphic and interesting. It was important to not go with my first instinct and create castles and dragons out of pineapples or something - I wanted to travel to lots of different fruits in 15 seconds, so it needed to stay graphic. So I looked towards a more motion graphics approach to the VFX. The costumes needed to be silly and cool - like the best festival outfits mixed with a high fashion energy. To shoot it required a lot of pre-viz, so I pretty much jumped straight on that as my main port of call, and composed a temp track to get a sense of where I wanted transitions and an overall sense of pace. This was super important for the crew on a blue screen shoot, so we’re all on the same page and I’m not just holding it all in my head!”

Credits

Director : Chris Bristow

Directors Agents: The Visionaries

Agency: BBH 

Agency Producer: Victoria Doran / Kurt Bailey 

Art Director: Andrea Ferrera

Copywriter: Joe Williams

Creative Director: Dillah Zakbah 

Production company: Black Sheep Studios

Executive Producer: Sophie FitzGerald

Producer: Yazzmin-Anderson Moore 

Director: Chris Bristow 

1st AD: Micki Colker Pearlman 

Art Director: Jenny Dee 

Stylist: Rebecca Goldsworthy 

DOP: Jakob Cizic 

Editor: Ian Robertson 

Post Producer: @ BSS: Victoria Ayettey & Faye Rizzo 

Film studio: 

Post Production

Editor: Ian Robertson 

Post Producer: Victoria Ayettey

Post Producer: Faye Rizzo

VFX House: Wicked Pixels

Music & Sound Mix: Jacob Wheeler @ Major Tom

Grade/Sound House: Creative Outpost 

Senior Producer: Andy Salem 

Colour Grade: Alexandre Nerzic 

Sound - VO Record: Tom Lane 

Gerald McMorrow's Latest Short Film ‘Embers’ Questions The Value of Wisdom

During the pandemic, Gerald McMorrow won the blessing from Douglas Adams’ estate to option Douglas’ version of The Sibylline Books, ‘Sifting The Embers’ – his epilogue from the wonderful book ‘Last Chance To See’ and turn it into a short film.

In a flourishing ancient city, a mysterious woman arrives and offers to sell twelve large books containing all the knowledge and wisdom in the world for a single sack of gold. When the kings’ people refuse, she burns half of the books and departs. After a harsh winter, she returns and offers the remaining six books for two sacks of gold. Finding the increased price outrageous, they refuse, and she burns half of the books again before leaving. The following winter brings famine and disease, and the people again refuse to pay four sacks of gold for three books. She burns two more and leaves. On her final visit, they finally pay 16 sacks of gold for just one book...

Gerald recalls “I first read ‘Last Chance To See’ when I was in my twenties, (an already avid Douglas fan) and have reread it endlessly. As we find the planet in the state that it is in, the fable seems all the more pertinent; not just gradual animal extinction and climate change, but the general sense of mass stupidity in all aspects of how we treat the world and each other.

We shot ‘Embers’ in Marrakech with a small budget and the good will of many actors and technicians. I hope the story is as resonant to you as it was to me when I read it all those years ago.:

Film coming soon…

Credits :

Written, Produced, Directed by Gerald McMorrow

DOP Colin Watkinson ASC BSC

Production Designer: Ged Clarke

Editor: Ben Unwin

Music: Joby Talbot

Visual Effects: Ben Robards @ Absolute Post

Visionaries Directing Duo Stefano & Alejandra’s Latest Spot for Wrigleys Delivers a Boogie... In The Mouth!

Watch as a tongue becomes a dancefloor with Wrigley’s Extra Refreshers.

Stefano and Alejandra have created a vibrant and visually stunning advertisement. It features a woman who, upon popping a piece of gum into her mouth, is transported into a fantastical and colorful tunnel of lights. This tunnel leads to a dazzling scene starring a dancer composed entirely of yellow and green bubbles. The ad can be described as a "tropical tongue twister," highlighting its playful and exotic nature.

Stefano & Alejandra had this to say about the project: ‘This film is a fun adventure for us and the viewers. The goal was to present Extra Refreshers Tropical flavour gum in a fun, captivating and slightly bizarre way. We wanted the mood of this film to be lively, whimsical, and utterly entertaining”.   

Credits:

Directors: Stefano & Alejandra

Directors Agent : The Visionaries

Prod Co: Irresistible Studios

Head of Production: Harriet-Kate McKean

Producer: Blake Kenward

Production Assistant: Emily Teteris

Production Runner: Ross Brincat

1st AD: Sam Fullerton

Runner: Gabriel Browne

Runner: Jodie Joy Williams

Runner: Alexia Tyak

Dop: Pieter Snyman

1st AC: Oliver Bingham

2nd AC: Saskia Dixie

Dit: Will Gardner

Playback Op: Tony Crouch

Key Grip: Bobby Brown

Grip Assistant: Harry Elvin

Gaffer: James Duffy

Spark: Orlando De Silva

Spark: Daniel Svilenov

Spark: Luke Greenan

Costume Designer: Nil Tomakan

Wardrobe Assistant: Samantha Hobart

Production Designer: Zoe Koperski

Props Assistant: Alizé Speed

Carpenter: Leo O’brien

Painter: Sam Morris

HMU: Ashleigh Haines

HMU Assistant: Gracie Jai Cox

Manicurist: Julia Babbage

Stills Photographer: Per Appelgren

Stills Digi Op: Joe Wiles

Stills Lighting: Tech Joe Smith

Post Producer: Kira Fitzpartick

VFX Supervisor: Hasan Khan

Medic: Gurt Bance

Agency : T&Pm

Creative Director : James Fernandes 

Producer : Lucy Tower

Producer : Dilon Palmer 

Account Director : Cassie Allen

Account Manager : Susannah Gillespie

Design Director : Greg Fadden

Talent

Jessica: Ellie Mejia

Stills: Cara Kong

Stills: Aaron Basquiat

Post Production:

Post Supervisor: Jessica Norton

Post Producer: Kira Fitzpatrick

On Set VFX Supervisor: Hasan Khan

CG Artists: Onion Skin

Editor: Ryan Kenwrick

Colourist: Karol Cybulski @ Cheat

Additional CG Artist: Sam Vacquier

Compositor: Nicholas Dunn

Visionaries Director Henry Dean Cleverly Illustrates The Impact Of Politics On Daily British Life In His Latest Film For The Times

Visionaries Director Henry Dean's latest campaign promoting The Times' coverage of the upcoming UK General Election highlights the pervasive impact of politics on everyday life by integrating Westminster-related objects and symbols into typical British scenes.

Director Henry Dean had this to say about working on the project: “As with anything topical, one of our main challenges was a tight timeframe. We knew an election was brewing, but didn’t know when it would be called. Either way, we had to get the campaign ready so it could be launched at a moment’s notice, and have as much of a shelf-life as possible.

I was determined to make something that stood out in the political/news landscape by feeling considered and refined. In a world of iPhone soundbites and screenshotted tweets, giving this campaign a premium look and relaxed pacing was key in making something that would give audiences a moment to pause and think.

While the scenes themselves are relatively simple, the scope of the spot was quite ambitious considering all the locations, props and moving parts involved. Our legendary location manager Duncan Woods was one of my closest collaborators from the start. Logistics mattered just as much as the look on this one, and he was able to help bring the vision to life in a way that still worked across a jam-packed two day shoot.

As a director, I like to hunt for projects that will stand out. A main facet of my work is making the everyday feel spectacular, and making the extraordinary feel accessible. As soon as I read this script, I knew that this spot did both of those things. Politics is an arena where everything can so easily get torn apart, where hope can quickly evaporate from one week to the next. I wanted to use this campaign as a chance to make something that lingered, feeling fun and fresh while still conveying the subject’s importance. Overall, it’s a campaign that feels very ‘me’ and I am proud to have directed it at what feels like a crucial time in British politics. I can’t thank the team at Pulse enough for trusting me with their vision.”

CREDITS

DIRECTOR: Henry Dean

DIRECTORS AGENT : The Visionaires UK

AGENCY: Pulse Creative London

ECD: Russell Ramsey

PRODUCTION COMPANY: Pulse Creative (in-house)

PRODUCER: Agnes Szyperek

1st AD: Joe Mulvihill

DoP: Jack Maddison

STEADI: Gary Kent

GAFFER: Sachin Parmar

PRODUCTION DESIGNER: Emily Pirouet

POST-PRODUCTION (EDIT, VFX & SOUND): Bubble TV

COLOURIST: Sebastian Ziabka

Hot Icarus Introduces Diageo’s Ready To Serve Cocktail Trio In Their Latest Spot —Because No Party Is Complete Without A Cocktail In Hand!

Hot Icarus bring their energetic, cinematic style to their latest spot introducing Diageo’s newest line of cocktails Cocktails. 

With a fabulous adaptation of an iconic track lining the evening, we’re thrown into the glamor of a house party, featuring sparkly gowns, disco balls, well cut suites and, most importantly, a Cocktail in hand.

Hot Icarus had this to say about the project: “We wanted to take an approach to the project that felt dynamic, fun and energetic, but also maintained the precision, effortlessness and elegance of the featured product. 

Dancing our way through two days on set to a playful, London twist on an iconic track - Here Comes the Hotstepper - it was a pleasure to work with the talented teams from Diageo, Hey Human and Another to bring this project to life.”

CREDITS

DIRECTORS Hot Icarus

DIRECTORS AGENT The Visionaries 

AGENCY Hey Human

CREATIVE DIRECTOR Lee Bonnick

PRODUCTION Another Production

HEAD OF PRODUCTION Tanja Adams

PRODUCERS Fiona Boakes,  Alex Dawson

DOP Ben Cotgrove

1ST AD Tom Kelly

PRODUCTION DESIGNER Kelly Sinclair-Smith

MOVEMENT DIRECTION Mikey Boateng

EDIT Scott Hatton

COLOURIST Alex Gregory @ No8

SOUND DESIGN / Max Brodie

The Visionaries Signs BAFTA and Two-Time Emmy Award-Winning Animal Documentary Genius Mateo Willis

Whether it's landmark natural history for Netflix and the BBC, or intimate stories between humans and wildlife for commercials and brands, Mateo stumbles his way through the understory of nature, searching for, in the wise words of Werner Herzog, 'an ecstatic truth'.  

Human-animal relationships weave their way through the majority of Mateo's work, a reflection of his semi-wild childhood in Africa, the Middle East and Asia. 

He's poured heart and soul into many landmark series, including Planet Earth 2, Blue Planet 2 , Our Planet, Dynasties, Life Story and Frozen Planet, and made highly acclaimed films for National Geographic and Netflix. 

His incredible talent for guiding human interactions with the natural world also shines through in his commercial work. Mateo has produced charming work for the likes of Battersea Dogs & Cats, Frontline Plus, Petzl, as well as for musicians like James Blake. 

As executive producer and director, he's most recently been a part of Omnivore. This premium doc series explores human culture through the lens of food, and is steered by the creative vision of Cary Fukunaga, director of Bond - No Time to Die, and Rene Redzepi, of Noma fame. Currently, he's writing a fictional feature based on a woman's search for a whale, for Brouhaha Entertainment, and has just finished directing a film for Apple TV on our troubled relationship with tuna. 

Davide Cantelmo, lead Directors’ Agent at The Visionaries, has this to say about the signing: “Meeting the person behind your favourite piece of entertainment is rare. It's even rarer to find that they are not only skilled filmmakers but also exceptional individuals. This was my experience with Mateo Willis, a driven creative talent and seasoned storyteller who has transformed the way we narrate animals' lives. From pioneering new technologies to capture elusive subjects, to his commitment to presenting the stark impact humans have on our planet, Mateo stands out in the world of nature documentaries. Representing him commercially is a great honour, and I see a bright future for him and The Visionaries.”

The Visionaries Boosts Its Comedic Roster With The Addition of Remy Cayuela

We are thrilled to announce the latest addition to our stellar comedy roster: the dynamic and award-winning French-American director, Remy Cayuela! 

Celebrated for his unique blend of comedy and cinematic flair, Remy brings a fresh wave of creativity and humor to our expanding comedy repertoire. Remy’s journey in the world of visual storytelling began with his critically acclaimed graduation film, The Deafgame, which wowed audiences and critics alike on the festival circuit. His knack for crafting visually stunning and humorous narratives quickly propelled him into the spotlight, leading to collaborations with top-tier musical artists such as Naive New Beaters, Wilkinson, Duke Dumont, Capital Cities, and Jax Jones.

Cayuela’s expertise extends beyond music videos to an impressive array of international commercials for household names like BEATS, Heineken, Gillette, McDonald’s, Belvita, Renault, Citroën, LU, Philips, Société Générale, EuroMillions, Meetic, Carrefour, Hanes, Nivea Men, Travelzoo, Younited, and Vanarama. Notably, in 2023, he directed a brand film for McDonald's covering nine Middle Eastern countries following the Qatar World Cup. His 2024 slate includes over 15 commercial spots worldwide, solidifying his reputation as a versatile and sought-after director.

Known for his impeccable casting and subtle comedic performances, Cayuela excels in directing a wide range of talent, from seasoned actors and celebrities to amateurs and even animals—especially dogs with whom he claims to communicate fluently!  His distinctive visual language and meticulous attention to detail enable him to effortlessly traverse various genres while maintaining a consistent, engaging, and humorous point of view.

Based between Paris, London and Los Angeles, Remy loves to team up with creative teams and clients to make the most out of an idea. Known for his visual cinematic style, Remy is also a writer/director who loves working with dialogs. When he’s not on set directing commercials, he develops fiction, writes and shoots more.

The Visionaries are beyond excited to welcome Remy’s vibrant and inventive approach to comedy and storytelling to the roster!

Leo McCrea Gives Us A Glimpse Of The Full Hilton Honors Experience With Lando Norris and Aarav Amin

Leo McCrea’s latest film for Hilton and McLaren, launched ahead of the Monaco Grand Prix, stars Lando Norris, Aarav Amin, the beautiful coastline of Monaco, and some seriously speedy vehicles.

Lando Norris gives Aarav Amin the full Hilton Honors treatment, complete with a helicopter ride and a thrilling taste of McLaren's incredible speed.

If only airport transfers were always this cool!

Leo had this to say about working on the project… “With multiple locations, road closures, precision drivers, super cars, helicopters, some live phone conversations and some picked up this project required next level planning and execution. We managed to cram in a-lot into two days with a great team and lots of great ideas from Dentsu CDs Jordan and Will, it was a great collaborative experience. 

McLaren Racing and Hilton have maintained a long-standing partnership since 2005. This collaboration allows Hilton to offer exclusive experiences to its Hilton Honors members and provides the McLaren F1 team with a comfortable "home away from home" at Hilton hotels in various race locations worldwide.

Credits

Production Company - The Gate Films

Director – Leo McCrea 

Director’s Agent - The Visionaries

DOP – Simon Rowles 

Creative Directors – Will Marsden and Jordan Down at Dentsu Creative

Business director – Henry Carless

Account director – Blythe de Gruchy

Exec producer – Rhiannon Lewis 

Senior producer – Hollie Newton

Production manager – Lindsay Cowan

PA – Abi Hughes

AD - Paul Vallespi 

Local Producer - Maud Hezaro 

Location services - Orange Films 

Camera Operator - Christopher Hill 

1st AC - Fabien Gonzalez 

Drone - Karim Landais 

Gaffer - Vincent Leborgne 

Tom Brown’s Latest Campaign Series Captures Life’s Chaos, Made Stress-Free By Beko Appliances

Tom Brown's latest advertising campaign for Beko, a prominent home appliance brand, focuses on showcasing the ease and efficiency of their products amidst the chaos of daily life. The campaign emphasizes Beko’s commitment to sustainability and innovation, highlighting their appliances designed to make life more manageable.

In several of the spots, Tom puts our eyes on the machine, as we watch the chaos of life be made simple with Beko home appliances. 

CREDITS 

PH: Mental!

Director: Tom Brown

Directors Agent: The Visionaries

Executive Producer: Ege Yasar

Producer: Duygu Aykol 

Director: Tom Brown

Directors Agent: The Visionaries

DOP: Alp Korfalı 

Agency: VML London

Luke Logan Crafts a Mesmerizing Cinematic Experience for McLaren Automotive

Visionaries’ director Luke Logan melds the nostalgic beauty of 35mm with cutting-edge virtual production tools to create a stunning new film for McLaren.

Luke had this to say about the film: “Shooting on 35mm film, with anamorphic glass, motion control and virtual production, my biggest focus with this project has been maintaining a human and delicate edge amongst the inevitable technical challenges. I think this combination is a world first, and I'm glad we could prove that the latest tech doesn't distance us from a visceral viewing experience, in fact it can facilitate it and open up new possibilities”.

Paul Mortlock, DP, elaborates: “We wanted to do everything in camera. Working within VP helped us to do that, It made capturing something extraordinary very easy. 35mm was the natural choice for this experimental film. I chose 200T for the VP scenes and daylight exterior (corrected) & 500T for night exterior.”

Additionally, here are a few words from Nathan at Pathway XR, the Virtual Production studio: “Pathway is keenly interested in experimenting with non-traditional ways of working, and this project was a great opportunity to do just that. From a VP Supervision perspective, our vision was to shoot real-time on celluloid, which presented technical challenges but overall added an organic feel to the film that would have been hard to achieve digitally in post. We also used the benefits of VP to shoot sequences more safely than on location and we also experimented with video plates mapped to 3D geometry.”

CREDITS

Director - Luke Logan-Malik

DP - Paul Mortlock

Steadicam - Chris Higgins

1AC - Sam James

2AC - Dan Mcaffray

Trainee - Caleb Antwi 

Motion Control - G6 Moco

Lighting team courtesy of Drop City

Desk Operator - Tom Shepley

Executive Producer - Nathan Newman

Executive Producer - Alex Wareham

Producers - Luke Logan-Malik, Paul Mortlock, Mark Eastwood

VP Studio - Sir Sydney Samuelson stage at Pathway XR Manchester

VP Supervisor - Nathan Newman

Senior Tech Artist - Ryan

Tech Artist - Luqman Kahn

Cast - Tori Davies

VFX - Richard Van De Steenoven at Straight to the biscuits.

Grade - Felipe Szulc at NOMAD.

Sound design - Dean Covill at  Rabble Post

Huge thanks to:

The Visionaries

MOB Film Co

Ultron Films

RAW Post Consultants

DropCity Ltd